Tastes of Culture

The US mainstream sports media likes to proclaim certain athletes as good or bad ‘role models’, but they’re almost single minded in their obsession with winning. Great NBA players like John Stockton, or NFL players like Dan Marino are criticized for never having won ‘the big one’.

At the same time, the mainstream sports media takes every opportunity available to bash boxing, but the reality is that the ’sweet science’ more so than any other professional sport places a great emphasis on the quality of a fight as much as its eventual outcome. Fights like the Gatti-Ward trilogy, Hagler-Hearns, Hagler-Leonard are considered classics, and in most cases were very tightly contested bouts. A great case in point is the 2004 ‘fight of the year’ between Juan Manuel Marquez and Manny Pacquaio. Despite nonstop action, the official verdict in the bout was a draw.

At a certain point in a fighters’ career, they can even be criticized for having an undefeated record. While exceptions are made for the best of the best–Floyd Mayweather, Jr. and Rocky Marciano come to mind–having a ‘zero’ in the loss column often reflects poorly on a fighter’s willingness to fight high level competition. Even for the best fighters, an undefeated record alone does little to guarantee a place in boxing history. Certainly, that is of much less significance that the manner in which these victories were earned.

The true greats distinguish themselves both by how they ‘play the game’ as well as their championship accomplishments. Few fit that description more aptly than Mexican welterweight great Carlos Palomino. The native of Sonora, Mexico rose to prominence by holding the welterweight title during the late 1970’s. During this time, he set a laudable example by becoming the first reigning world champion boxer to earn his college degree.

Palomino came to the United States when he was ten and, like many Mexican immigrants, started to train as a boxer during his teenage years. He displayed a good deal of skill at an early age, but delayed becoming a professional until after a 2 year stint in the Army where he was the All-Army Welterweight Champion. He also won the national AAU championship in 1972 before turning pro later that year. He was brought along slowly and steadily despite a decision loss to Andy Price in 1974. By the middle of the decade he had put himself into championship contention and finally won the title in June 1976. Palomino scored a TKO victory over Englishman John Stracey in a very hostile environment (London, England) and became the WBC Welterweight Champion. He defended his title seven times over the next two years, before dropping the belt to a hall of fame level opponent in Wilfred Benitez in a split decision (January 1979). He lost his next bout to another hall of fame fighter in Roberto Duran and decided to hang up his gloves. He made a short comeback in the late 1990s, posting a 4-1 record before retiring for good.

Palomino turned his attention to acting following his boxing career, and has worked steadily in a variety of roles both in movies (mostly forgettable action films) and television (shows like Taxi, Star Trek Voyager, Highway to Heaven and Hill Street Blues). He appeared in some of the early Miller Light tastes great/less filling TV commercials. Hes also done some live theatre work, in addition to generating publicity for a number of charities.

In the ring, Palomino wasn’t the typical Mexican fighter stereotype. He was an intelligent, very tactically sound fighter with underrated power and a lethal left hook. More typically, however, he was a fighter who’d break his opponent down slowly with a punishing body attack. Despite not being a typical straight ahead power puncher like so many of his countrymen, he’s no doubt among the greatest Mexican boxers in history.